Textile Arts Council
In support of the Textile Department
of the Fine Arts Museums of San Francisco
ABOUT US
Mission
The Textile Arts Council (TAC) is a dedicated support group of the Fine Arts Museums of San Francisco, Department of Costume and Textile Arts. We foster a deep appreciation for the Museums’ renowned textile and costume collections in the Bay Area and beyond. Through engaging lecture programs, exclusive studio visits, hands-on workshops, an informative biannual newsletter, and unique travel opportunities, TAC connects enthusiasts and experts alike to celebrate and explore the rich world of textile arts. For archival listings and the latest information on our events and activities, please visit the TAC website.
History of the Textile Arts Council
The Textile Arts Council was founded 1982 by Anna Bennett as the “Textile Study Center (TSC)”. I's First newsletter was published October 1984. Ambitious early presentations included a Textile Photography Workshop with Pat Hickman and Lillian Elliott and a Lace Lecture and Study Day with Pat Earnshaw. The Textile Arts Council was established in its present form in 1988, during the tenure of Curator Cathryn Cootner.
We publish our newsletter two times a year, delivering it to our membership via email. The Fine Arts Museums of San Francisco (FAMSF) website and our own stand-alone website, plus a well-designed brochure and program cards help us to spread the word about the activities of the Textile Arts Council. Additional publicity for events is generated to media and other institutions.
The Textile Arts Council Endowment Fund was established 1993 to provide a steady source of income to purchase new pieces of outstanding merit for the permanent collection of FAMSF. The first purchase from the endowment was an evening gown by the House of Doucet, ca. 1910. Fund is invested through the Museum and purchases are made from the interest earned within a given fiscal year.
In addition, the Textile Arts Council actively supports the efforts of the Textile Conservation Lab with monies raised by membership dues, program receipts and special fundraising efforts. This enables the Conservation Lab to hire interns, embark on special projects and purchase supplies and special equipment beyond their budgetary means.
Monthly Textile Arts Council lectures remain the mainstay of our program series. Once each year we present the Annual Sinton Lecture, with funding provided by the Carol Walter Sinton Fund for Fiber Arts Studies. We have co-sponsored larger events with other institutions and Fine Arts Museums of San Francisco departments. We also feature intermittent special day trips involving studio tours, shopping opportunities, visits to collectors’ homes and exhibition tours. We have had terrific response to small group programs involving Conservation education and workshops on various textile techniques.
A special Ethnic Textile Study Group was established in 2004 and meets regularly to hear specialist speakers and share their finds and knowledge. Our travel program is now well established with many successful trips under our belt since 2001 (the Andes, Indonesia, Thailand-Laos-Cambodia, England & France, Vietnam, Bali, Turkey and Uzbekistan).
History of the The Caroline and H. McCoy Jones Department of Textile Arts
The de Young Museum and its sister museum, the Legion of Honor, together comprise the Fine Arts Museums of San Francisco, the largest public arts institution in the city and one of the of the largest art museums in the United States. The de Young Museum originated as the Fine Arts Building for the California Midwinter International Exposition in 1894 and opened as a museum in March 1895. The collections of the museum including the textile collections were thus rooted in a wide reaching overview of world culture. In 1924, the California Palace of the Legion of Honor was opened with a focus on European art and with textile collections that included tapestries, ecclesiastical vestments, lace, women's fashion and costume accessories. In 1972, the two museums merged to form the Fine Arts Museums of San Francisco.
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In the Loma Prieta earthquake of 1989, the de Young building suffered significant structural damage and in 1997 the Federal Commission on the Arts and Humanities ceased to indemnity exhibitions because of the seismic vulnerability. The decision was made to raze the building and rebuild on the same footprint in Golden Gate Park. The former de Young Museum structure closed to the public on December 31, 2000 and the new de Young opened on October 15, 2005. With the re-opening of the de Young, the Textile Department was given a new prominent home. The new facilities have provided a state-of-the-art exhibition, education, conservation and storage space totally roughly twice the area afforded by the old museum.
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Indeed, the Textile Department has made great strides in the last three decades. While both museums collected and exhibited textiles and costume from their inception, the textile department was not established as a separate department until 1983. The founding of the department was due to the ongoing efforts of a talented and energetic volunteer, Anna Gray Bennet. As a museum volunteer in the 1970's, Anna Bennet took an interest in the tapestry collection. She, aided by her husband Ralph, led an effort to clean, conserve, and research them, which resulted in major exhibition in 1976 accompanied by catalogue. During her tenure at the museum, both as a volunteer and as the first textile curator, Anna Bennet curated several popular exhibitions on Western costume and textiles including Undercover Agents, A Century of Brides, and Fans in Fashion and was also responsible for founding the Textile Arts Council.
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The foundation of non-Western textiles at the de Young was solidified by a major gift of Central Asian carpets and textiles by H. McCoy Jones and his wife Caroline in the early 1980's. The Jones gift not only put the de Young on the map of international rug collecting world but also opened the doors for both exhibiting and collecting non-western textiles. After McCoy Jones death, his wife Caroline continued to generously support the department through multiple gifts. It was decided in honor of their endless generosity that the department would be named The Caroline and H. McCoy Jones Department of Textile Arts. From 1982 -1996, Cathryn Cootner curated the non-western textile collection, Melissa Leventon served as curator of western costume and textiles from 1986-2002, and Diane Mott served as curator from 1996-2009. The Caroline and H. McCoy Jones Department of Textile Arts was directed by Jill D’Alessandro, Curator in Charge of Costume and Textile Arts, through 2022. ​